His enormous fantasy has a stunning effect even today. Bosch was allegedly convinced that people are sinners by nature and this cannot be fixed by anything despite the dreads he was using to keep them away from Hell, people would get there anyway.īut this is not the main point here. Bosch made the delirious nature of the imagination come alive by painting an "aggregate face" of horrors, surely frightening you to refrain from sin.
Hieronymos Bosch was a Dutch painter in the 15–16 centuries, whose main subject was Hell. All of a sudden, art again seemed to be the quiet speech of time, space and the creative individual, to which the viewer is invited to intervene. Miljard Kligi's paintings had the effect of a strange portrait, which covers the whole era, something that was and still is, but only through a convincing and personal creator’s vision. Surrealism, plots of the Renaissance and 20th century mystery shone through as well. The colours of Vos shone through in today's work of Miljard, not just the colour but also the colouring of senses. The work's dynamic composition and perspectives from different points of view create an illusion of the admixture of the world by the opening of the central heavenly sky on Judgement Day. Marten de Vos expresses this strong episode with an enormous captivating emotion, focusing on the crowds, forwarding the rhythm of the figures’ movement, confronting the colouring of the "sinner" and the "fair" by bringing out their specialties. The Bible repeatedly talks about the judgement that God places over mankind, when he appears in his glory to separate the meek sinners and accept the first ones to Heaven and send others to Hell. Next to Hieronymos Bosch, I was reminded of his contemporary Marten de Vos' painting “The Last Judgement". Our conversation became inspirational time did not matter. We looked at the photos of his last works with a large magnifying lens, which Miljard had with him, in order to delve into each detail. I had not met with Miljard for nearly 15 years.
It is rather surreal, and it is moving in those hell and heaven spheres, which will remind you of the Renaissance of the Netherlands, Hieronymos Bosch or the exulted subconscious undercurrents of the 20th century or of Salvador Dali. His creation today has moved away from hyperrealism. One of the most famous hyperrealists in Estonia. Not perhaps as clearly as provoked by the Christian doctrine, but the double nature of the world, its beautiful countenance and hidden defects are found in art throughout many eras.Ī few weeks ago, I met the artist Miljard Kilk. The surreality of heaven and hell is living in art to this day.
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